Hello there. I don't
have an awful lot of internet access so I don't get to update this as
much as I want. However, here I am right now so make the most of it,
like I'm your partner and you haven't spoken to me in weeks. Cherish
me, Internet. CHERISH ME AND MY WORDS.
I like to read. Of
course I do. What sort of writer doesn't? A TERRIBLE ONE, that's
what! I mean, who! In order to broaden my horizons, I started to
actively pick random books from my local library to read. Some were
so mundane I can't even remember them, but others were a lot more
intriguing. Case in point: the work of John Connolly. Or more
precisely, his Charlie Parker series.
I stumbled across this
author by searching on the library's database for 'horror
anthologies' – they didn't have his Nocturnes collection checked
in, but they did have THE WHISPERERS, so I gave that a go. The
premise sounded a little dull – someone's smuggling artefacts
stolen from the Middle East – but the promise of 'unnatural' horror
reeled me in none-the-less.
The book itself took a
little getting into, as it takes several chapters before it turns to
the point of view of ex-cop Charlie Parker – in this book, he's
lost his PI licence after the events in a previous book, and is
trying to figure out quite what to do. And then he's asked to look
into the suicide of a former soldier, which sets him on a path that
ends in very explicit supernatural horror (though not a gratuitous
amount). All the stuff in the Middle East was a bit boring, but as
soon as we're in Parker's head the story comes alive. He's a man
transformed by past tragedy into a relentless machine fuelled by the
pursuit of justice, but this is leavened with a sharp wit and
down-to-earth approach to the more macabre elements of the story/his
world that really appealed to me.
THE WHISPERERS is the
tenth Charlie Parker novel and has plenty of mentions of past
adventures, and those he encountered. One such character in
particular plays an integral (though low key) role in this story. I
enjoyed the book but only really when Parker's narrating events –
this was a character I wanted to spend more time with. So, back to
the library where I found THE LOVERS (as luck would have it, the
ninth book in the series).
This was a lot better.
Some chapters still abandon Parker's point of view in order to detail
events, but the overall plot of two, apparently resurrected, killers
with ties to Parker's familial past was far more engaging than the
follow-up book. Was this a sign that John Connolly's work is better
earlier on? I wanted to find out (as well as learn more about the
various cases touched by the unnatural that Parker finds himself
embroiled in).
This time the library
had THE KILLING KIND and THE WHITE ROAD available. Both from earlier
in the series and, as luck would have it, the third and fourth
Charlie Parker novels, respectively. I've just finished THE KILLING
KIND and, although there are touches of the supernatural, it's more
about twisted humans than any kind of demonic entity or group –
yet, it still felt refreshing and exciting to read. Basically, when a
load of human bones are uncovered by a remote lake, it sets off a
chain of events involving a 1960s religious commune, a conspiracy,
and a creepy maniac obsessed with deadly spiders and insects. There
are very few interstitial chapters removed from Parker's POV, which I
think greatly helped the flow. Not that I think John Connolly's
writing suffers when he turns to a typical third person omniscient
view, but when you're leaving behind someone with as much character
as Parker, you feel it.
In any case, it's
exciting (for me) to have a new series worth checking out and hunting
down, especially considering it's classed as a contemporary
'thriller/crime' series, which typically I find quite boring (though
I enjoy older pulp crime stories). I'm going to start on THE WHITE
ROAD today, and have just picked up THE REAPERS (which is set just
before THE LOVERS) and EVERY DEAD THING (the very first Parker novel)
so have those to get stuck into, too. Watch out for more opinions!
WATCH OUT!
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